In which I chat with Grant of the “Digital Roadmap Podcast.” I completely, utterly, embarrassingly forget how I bumped into Grant’s show, but I’m so glad I did as, unlike this show, he focuses entirely on...
Author - Anton A. Hill
In which I chat with Mario Castaneda and Ty Taylor, creators of, among many other games and arts, the B&W puzzler “The Bridge.” As I say in the episode, I don’t quite recall how I bumped into “The...
In which I barely scratch the surface with Ryan Miller Games‘ Ryan Miller, creator of, among other games, “Overkill: Halloween Slasher.” And when I say “barely scratch the surface,” boy, do I mean...
In which I chat with Cellar Door Games‘ Teddy Lee mainly about their game “Rogue Legacy,” but also about plenty other stuff. Like the fact that, at the time of recording, I was in the midst of an awful cold/flu...
In which I chat with YouTuber extraordinaire Rags about massively controversial topics like Discord and cats playing with balls of string, and even some less so, like actress Ashley Judd‘s opinions on gaming. And just to...
In which I chat with my pal, gamer, and former atheist activist extraordinaire (don’t hold that against him) Lee Moore. Much to my surprise and great irritation (no, I’m kidding), Moore and I actually have little in...
In which I hang out with my man Nate Evans (Popzara‘s managing editor) and fiercely debated the great, and not-so great, games of ’17–! Just kidding! We chatted and debated the relative strengths and weaknesses...
In which I chat with Data Realms‘ Dan Tabar about their upcoming game “Planetoid Pioneers.” The game has all kinds of craziness: great animation, physics (through Data Realms’ proprietary engine), and the...
In which I chat and giggle with Stride PR‘s CEO Robert Brown. Representing clients like PAX and IGDA, not to mention bunches of studios and games like Hyperkinetic Studios and their “Epic Tavern,” Brown is in...
In which I chat with D’Avekki Studios‘ Tim and Lynda Cowles. Known for their Murder Mystery Flexi-Party Dinner Party games, the Cowles spent far, far longer in post-production of video footage than I’d ever be...
